In MacDonald's play the primordial character is Constance Ledbelly, an associate professor whose research involves trying to describe an arcane text that she believes may have been the source for Shakespeare's "Othello" and "Romeo and Juliet." Constance's furore for her literary theory is only surpassed by the crush she has on Professor Claude wickedness, for whom she has become a factotum, ghostwriting his speeches and papers and doing his research. But Night not only gets engaged to a young co-ed, he takes the position at a large university that Constance wanted. All Constance has left-hand(a) is her literary theory, and then, as if by magic, she is transported to Venice where Othello and Iago are engaged in the handkerchief scene, and possessing prior knowledge, Constance quickly thwarts Iago's plot.
In Act II, place setting 1 of Macdonald's play, Constance arrives in Venice and notices Desdemona's "strawberry-spotted" handkerchief hanging out the plump for of Iago's hose. She hears Othello say "Get me some poison Iago, this night" and Iago's reply, "Do it not with poison (Iago hands a pillow to Othello) " hamper her in bed" (19). At this dramatic juncture, Constance screams, "NO" and as an amazed Othello and Iago turn to stare at her, she says to Othello, "Um...you're about to sacrifice a t
The symbol of the handkerchief is replaced by a Manu volume with which Iago believes he can parent Constance a spy:
(Takes a Manuscript page from his shirt)
the script of infidels! Or maybe not.
I hate the Moor, And it is thought foreign that
This soliloquy is a key to Iago's character. In twain plays, he is someone who isn't bothered by whether something is true or not, as long as it serves his purpose.
He suspects both Othello and Cassio of sleeping with his wife, Emilia, to that degree he does not bother to ascertain the truth and, in fact, does not care if his wife is unfaithful. The operative word in the above soliloquy is "And;" it is not so much a reason for hating the Moor as it is an additional observation, or an excuse, wild by evidence. This disregard for the truth, for hard facts, is similar in both plays.
MacDonald, Ann-Marie. Goodnight Desdemona (Good Morning Juliet). New York: Grove Press. 1st American edition, 1998.
To 'venge myself upon the scholarly mouse,
errible mistake..." and "plucks the handkerchief from Iago's hose and gives it to Othello" (30).
Iago is Shakespeare's greatest villain. In both plays, Iago is a wicked, manipulative, cynical egomaniac who is motivated by self-interest and jealousy to destroy the lives of others. Both Shakespeare and MacDonald portray Iago as a negative, hateful character, immaterial to the suffering of others. His primary motivation is hatred of the Moor, and Iago's goal of retaliation is the basic plot line that sets all activity into bowel movement in "Othello:" "I follow him"(Othello) Iago says, "To save my turn upon him" (I.i.42).
Othello realizes Iago has be abo
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