Reading Does Much on Writing

In other words, for the shoot for author, yarn is simply bingle form of drawting finisher to the subject of successful communication. After all, that is the purpose of writing: to proclaim a story, to impart knowledge, to get the reader to form opinions, or to bring them to some sort of action. In other words, reading is just ane branch in a writer's imaginative arsenal.

Given that reading works of others is simply one "weapon", one needs to examine George Orwell's es take "Why I Write", where he says "I think there are four great motives for writing?..Sheer egoism?Esthetic vehemence?Historical impulse?.political purpose?.When I sit guttle to write a book, I do not say to myself 'I am going to produce a work of art.' I write because there is something I want to expose, some concomitant to which I want to draw attention, and my initial concern to get a hearing" (Orwell 1947 314-15).

That doesn't mean reading is not valuable. The duty kind of reading, of course. W. Somerset Maugham writes: "I heartily wish that in my y bulge outh I had had someone of great sense to get my reading. I sigh when I reflect on the nitty-gritty of time I have wasted on books that were of no great profit to me" (Maugham 54 1954). Still, there is the common clichT that one can learn from others' mistakes. There are many good writers

Reading, as was mentioned earlier, is just one of the weapons a good, thoughtful writer needs. It is not a calculate of being "successful" in terms of popularity.

Instead, it is a social occasion of being well prepared, working our your thesis and plot, rounding out your characters, and, when and if necessary, knowing how others did it before you began. Influence on a writer is limitless. It is just a matter of using them.

Saa, T. H. "Life: The ultimate Creation" from The Anatomy of Creativity www.dailywriting.net/AuthorsWrite.htm

Young, A.: Review of Writing as Social Action, Marilyn M. Cooper and Michael Holzman (Portsmouth, NH: Boynton, 1989

Maugham, W. S.: The Summing Up New York" Mentor Books (1954)

perceptive writers have all sorts of influences on which to create. Saroyan mentions memory. That is certainly a beginning, in particular for young or new writers, who need to begin with something active which they KNOW. Nevertheless, it would make sense to see what others have written about(predicate) a similar plot.

No author listed: "Reading/Analyzing publications"

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