The Tragedy of Love of Romeo & Juliet

They would rather be in truth dead in their genuine do it for severally different than un-genuinely alive to be worthy of unitary "name" or an some some otherwise. They are not afraid of their parents; they are not attached to hide or lie from their parents, and they are not ungrateful of their parent's genuine sacrifices in their "name." They are aware, though, that despite these feelings for their parents, their parents might abjure them if they dare express their genuine feeling for, vice versa, a dreaded "Montague" or "Capulet." Nevertheless, it is only the names "Romeo" or "Juliet" the lovers longing to be reminded of. As Juliet laments, "O for a falconer's voice? thraldom is hoarse and may not speak aloud; Else would I tear the cave where Echo lies, And make her airy spiel more hoarse than mine With repetition of my Romeo's name," (Shakespeare 1975, 1021).

If youth crushes the love between Romeo and Juliet, it is not because of their genuine affection for each other or the reality that despite their love for each other in the here and now it may not last. So what if they do not understand or wish to spot the here and now of their commitment with such mature provided balloon-puncturing thoughts? In that, in their youth, they are more than entitled. If youth crushes them in any manner it is not youth itself, but misdirect role models. They are too young and lack the acquaintance to dis

tinguish if their role models are office or wrong. The friar and Nurse are meant to represent equilibrate humans and are the two who least judge as inappropriate the love between Romeo and Juliet. They know the power of love. They unperturbed are capable of expressing love. They may be stern or they may be nurturing, but they are not judgmental liberal to merit the entitlements of a "Montague" or "Capulet." As such, Romeo and Juliet are still suspect of them because they only know adults who judge and immobilize how to love, but still they communicate with one or the other of them more openly than they do their parents. The Nurse routinely support the pair of lovers, as does the Friar. They are both stern with them also.

In one scene when Romeo is filled with anxiety over Tybalt and Juliet, the Friar tells him, "Hold they desperate hand: Art thou a man: they form cries out thou art," (Shakespeare 1975, 1031). This is primarily because up until the time they encounter each other they believe the "Montagues" and "Capulets" separately define what is permissible or impermissible; what is right or wrong. As such, they seek external approval to the degree that they come after someone else's directive for their own happiness, because they are young enough not to understand what they have in their immediate possession. absentminded a "Romeo" or a "Juliet" in one's life, it is understandable that one might only know the universe of a "Montague" or a "Capulet." Having the world defined from these limited expositions, Romeo and Juliet, because of their youth, are ripped absent from their love because it does not adhere to either the "Montague" or "Capulet" definition of love. In that definition a "Montague" could never love a "Capulet" and a "Capulet" could never love a "Montague." As such, the inability of their historically warring families to tolerate, appreciate, or embrace their love for each other is what makes them commit suicide. They are not insecure in their love for each other
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