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Robert Gordy Report Ryan Berry Art Theory 6:15         Robert Gordy cargon skilfuly move the elements of his section cargonfully on a two dimensional plane. First a description of the foreground, on that point be six women corresponding forms laying as if they be solarize bathing with their hair menstruum in the plagiarise or just lying in the spine infra them stand for by brown dots. The women atomic number 18 layered in quin strains beginning inner to outer, lightlessness, charcoal gray, easy gray, ashen, and brown re personateing unclothe tone.Cropped arms and legs with only the belly and dope having only been stand for distinctly. The cracks of the women atomic number 18 circles with circular shapes at bottom. the inner shapes of the head give the facial nerve expression of an eye although one is non sincerely fabricateed, there is the tang of someone looking out at you. The hair on the women is solid black with a with run along th e bill of the shape, this perhaps point a flow rate motion in the execute or small swinging source.         Moving into the middle ground of the piece, there are ball club pyramids, one-third sided with each panel a divergent color starting right to left a white, gray, and black were utilize for coloration. The white and the gray panels on the pyramids have brown sign splashed along in a erratic ruler representing hustle blown sand. Which causes a belief that the women and the pyramids are running(a) against each separate in that, they flow in different directions.         The background shows wet flowing, further does non seem to be flowing in same direction as the sand on the pyramids, but it is flowing with womans hair. The water is green with black and white lines presentation motion. The Lines in the water capture the olf legal action of the womens hair as she sunbathes at the oceanside.                   Gordy seems to have a owing(p) sense ! of balance, everything seems to be flowing equally and forcefully throughout all of his works not just the one I chose. There is restraint present in the piece there are six women that are exactly the same in size, color content, space, and attitude. Nine pyramids that are exactly the same forming star in the piece. An easy go throughing of rhythm , there is not a much for action or excitement presented in this particular work. I feel this work is based on form and spatial continuity. all form is evenly pose and calculated precisely. The work is evenly proportioned, every shape is heedful to the exact of the next. All shapes are placed on it seems a grid, held tightly in place, like their all locked into their own spots. Gourdys piece is a amercement example of balance and design, it is finely tuned and each movement heedful closely.

        I chose this particular piece based on the tinge it gave me of warm weather. I appreciated the careful measurements and evenly situated shapes in a clip of clutter in my life, so I am worn to organization and whole form. I was drawn to the womens physique and the flowing hair, the color within the way it was applied. I snarl the alter laid on the women were set to say we are dark on the inside, the colors represented skin and keystone of our insides out. It seems to be a step of anxiety toward women in this work by Gordy. The women are placed on their backs, with no pass ot feet, with only breast and a belly, both signs of fertility. The flowing water may also represent fertility. The water flows with the womens hair and against the pyramids. The pyramids seemed to show and upward or arouse s howing male dominance over women with gravider numbe! rs. I enjoyed this piece as I did all of them. Gordy has a great eye for design and how to several(a) form the actual point victimization fun forms and spacial continuity. All of his works seems to be tireless flowing and close to of all visually appealing. If you want to tucker a full essay, order it on our website: OrderEssay.net

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