Thursday, April 11, 2013

George Eliot: The Use of Objects and Imagery in "The Mill on The Floss"

The squ atomic number 18-toed age was a time period in which the orb of matter and objects outweighed the importance of the natural world; a time when materialism, economy, industry and scientific advancement took priority everywhere all natural entities, and connected men with material objects much than with the innate world which they were first derived. Along with the severe connecter to the unnatural and material world came the repression of natural hu military man instincts, divagation and molding people unnaturally to fit the skewed standards of a patriarchal society. The connection between man and matter, and the passage of natural liberties in conjunction with man being an propagation of matter, became a prevalent topic among many Victorian writers. George Eliot, the author of The lollygag on the Floss, used imagery and objects to show the deranged view of the importance of materialism in her time period. The imagery in the novel shows evidence of how objects prescribe society and affected the economy of the Victorian time period, demonstrate that not only did materialism effect social classes and the every-day lifestyle, provided also maked how repressed the Victorian society really was.

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The Mill on the Floss is a direct modelling of how materialism affected Victorian society, and how the connection between man and matter in Eliots novel reveals the attempt of the Victorians to control the world around them.

It is first important to observe that in The Mill on the Floss the natural aspects of the world surrounding the Tullivers and St. Oggs are always interrupted by a form of unnatural mater. Many of the natural images in the novel, from passages about the Red Deeps, to the sign description of the Floss in Book First and the river itself, prove that everything natural has been affected by man-made commercial objects. spirit does...

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